Paul Hall

What is happening in the government beyond the vision of ordinary citizens? Are members of the government interested in political candidates? In the new movie Black lightnow in cinemas we can see what impact some people can have on life.

Travis Block (Liam Neeson) has served as FBI Director Gabriel Robinson (Aidan Quinn) for many years. Much of Blok’s effort went through non-objective assignments. The bloc does not ask many questions about its assignments and often pulls agents out of the most difficult circumstances, and many of these people are willing, even willing, to be pulled out of the field. Dusty Crane (Taylor John Smith) is not one of them.

Crane is in custody, and his search seems normal for the Bloc. Crane, however, has other plans, immediately finding a way to escape, as he is about to tell his story to Miri Jones (Amy Raver-Lampman), a reporter who is willing to listen. Make no mistake, there are people who would like nothing better than to stop a story before writing it, and in a spy game no one can be trusted.

I know what you’re thinking: I’ve seen this movie with Nissan before. To the point, let’s be honest, you have. This is not to say that Nissan does not deliver such films on a regular basis. He is such a man in all his roles, and Black light is no exception: who wants to believe, who likes and wants to get sick at every turn. Liam Nissan’s films are comfortable food for this genre, and as comfortable food, Black light mostly works.

Two-thirds of the film has action, suspense and intrigue. This is far from a perfect attempt, but the story of a man with a past who works hard for his family and is ready to leave sounds plausible. The revelations throughout the film add a couple of twists and we make an acceptable journey. Of course, it is hard to believe that the grandfather (they recognize the age of Blok) can run in pursuit of a much younger Crane.

While everything seems to be going well, the film reaches a point where it just ends. Like the TV drama of the 1980s, we just end it all and it all stops, with very little warning. It was as if someone had said, “Okay, we’re done – all home.” And that extinguishes much of the goodwill earned throughout the film.

If you like Nissan, check it out, because it is a reason to make an effort to see Black light. I’ve been a fan of such efforts for years, but the bottom line is that I began to expect more from his films than this trip. Someone covered this film before it ended, and things shown in the black light are rarely good.

Paul’s score: C +

Black light
PG-13 rating
Stars: Liam Neeson, Aidan Quinn, Taylor John Smith, Amy Raver-Lampman, Claire van der Boom
Director: Mark Williams

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